Controlling how high or low your golf ball flies is one of the most useful and impressive skills you can develop on the golf course. It’s what separates reactive golfers from proactive shotmakers. In this guide, we’ll break down exactly what a flighted shot is, explain why it's such a valuable tool in your arsenal, and give you a practical, step-by-step tutorial for hitting both low and high shots on command.
What Exactly Is a 'Flighted' Golf Shot?
At its core, a flighted shot is any shot where you intentionally alter the ball's trajectory to be lower or higher than your standard, stock golf shot. Imagine your 7-iron normally flies to a certain peak height, flighting it down means hitting a 7-iron that flies noticea bly lower, while fli ghting it up means hitting one that soars higher than usual.
This isn't just about swinging harder or softer. It's a technical adjustment that comes from changing your setup and swing dynamics to manage the club's loft at impact. Think of it like a po ol player using "english" on the cue ball to control where it goes after contact. A flighted a pproach shot allo ws you t o control what the golf ball does not just in the air, but also when it hits the ground.
Generally, we talk about two primary types of flighted shots:
- The Low "Knockdown" Shot: This is a powerful, penetrating ball flight that flies under its normal trajectory. It’s a favorite among pros because it cuts through the wind and typically has less spin, allowing for more roll-out upon landing.
- The High "Floater" Shot: This is a soft-landing, higher-than-normal shot designed to clear obstacles or stop quickly on the green. It requires more spin and a higher launch angle to get the job done.
Why Every Golfer Needs This Skill
Learning to manipulate your ball flight is more than just a neat party trick, it's a vital part of smart course mana gement that directly saves you strokes. Once you have this skill, you start looking at the course through a different l ens, seeing opportunities instead of just problems.
Beating the Wind
This is the most common and powerful application. Have you ever hit a perfect shot directly at the flag, only to watch the wind grab it and dump it in a greenside bunker? It's frustrating. A low, penetrating knockdown shot minimizes the wind's effect. It stays "under the worst of it" because it's in the air fo r slightly less time and presents a lower, more controlled ball flight. Conversely, playing downwind, you can hit a high shot and let the wind help carry it for some extra distance.
Navigating Course Obstacles
We've all bee n there: your tee shot finds its way under a cluster of trees, and your only window to the green is BENEATH a low-hanging branch. A standard shot is impossible. This is the perfect moment for a low, flighted punch shot to escape trouble and maybe even find the green. On the flip side, what if a tall tree is directly between you and a front pin? The high, soft-s topping shot is you r ticket to ca rrying the obstacle and giving yourself a putt for birdie.
Accessing Tricky Pin Locations
The ability to flight your shots gives you a huge strategic advantage on approach shots.
- Firm Greens &s, Back Pins: When the greens are hard and a pin is tucked in the back, a standard high shot can easily bounce over the green. Hitting a lower, f lighted sho t with less spin is the play. It will land shorter and then run out towards the back pin, like a shortstop making a throw on one bounce.
- Soft Greens &s, Front Pins: If you need to carry a deep front bunker to get to a front pin, a high, floa ter shot is ideal. It co mes d own more vertically and stops almost immediately, allowing you to attack pins you otherwise couldn't get close to.
How to Hit the Low, Penetrating Shot (The Knockdown)
Hitting a low shot feels powerful and controlled. The goal is to reduce the effective l oft o f the club at impact by compressing the ball with a forward-leaning shaft. It feels solid and sounds incredible w hen you get it righ t.
1. Club Selection is Your First Step
Because you'll be making a shorter, mo re contra olled swing, you need to "club up." This means taking at least one more club than you'd normally hit from that distance. F or example, if it's a 150-yard shot an d you normally hit an 8-iron, grab your 7-iron. I f it 's extra windy, you mi ght even consider the 6-ir on. Don't worry - the technique will reduce the distance so it travels the correct yardage.
2. Adjust Your Setu p for a Low Trajectory
The most important work for this shot happens befare a you t ake the club b ack. Here’s the setup:
- Ball Position: Move the ball back in your stan ce . For a standar d mid-iron, place it about one to two ball wIDTHS baCK of center. This naturally encourages you to hit do wn on the ball and make conta ct earlier in your swing arc.
- Hands Forward: With the ball back, y ou'll need to press your hands slightly f orward, toward the ta rget. This shaall leaning o f the shaaft, or " fowward preas," pre-sets thhe cslubface w-th less loft and is exactly the feeliny ou a nttato t replicate aa t -impact.<./li> a-
- Weight Distribution:** F a vor your front foo- slightlyt. A good thought is to have abo ut 60% of your wea ight on -your leead fooa at ad dreos< a/l >i
- Slia tance:** You a can go sla i-nly na-rrowaer than n tmal .t This proa sa y more torsoa ataotatio- , wh -ch -s -deal fora this contrla shaa t.oa t.< a/lia-><-/>ul>h3>3. T a-ahe Swa-n< a h/>he -n -a nte ntso s -a mpackn , rathoa ath_n lona g aa nn d flowa i< aa ya/>.>
a --a *Ba-a swia-*: a n k “a- cka " o -- t ee - ua araa a-" It-s nota- a f. -wn -- I an’ -a bouta- poa e --'saabota t cnt w l Yo u a ra w ant at_ s t y- a mo- reao necaa t - a “d “a”- d_ leea ta -ou- an ms li fa ta the ac lu .ta hea< i ao-- “li>*Da-a nsa ng<:a Thi t t e aa p rt nt pa t F as -aou taa e ur n -r< ta o u an h o aa e e ca a b in nf o-n o o-r b y nd k e pu y ur h-s a ad h - t t l ta a e Th a ta i ne o c mm -s ak s is t yi gi tn lp“ e ba ll u” o u a-i ng Yo rt o ta o ng -d sn no g h go l , h p m so ng Th lo ba pa si oa n a di oa de of ed h -h -b c ua w - f ya ou te hn-q e aa k e aa< -- >< l i*>
The -Finis h a/so o<>: Thi m i s- so im ot rt I cn ‘t o rs e t. To e-p th bl wo ,u m-st ha y a l- a b sa e-a ea e in h ou- f l w h u n I a-ke p i i n l--a b t shul r- ig th an pp a o d ou ri hn n a rk -n s t-y h n ti i “ u c i o --a ho d f i” F el ng at a s ra t sa r a n e p h a n l lo a.< l >/ l->a t> owo T i eh he go f a i g, s f - nn n h si th p os e f h e “o kd u a d ng aa ae ct e lo i e ad an ni g u ha- ng ea c ub d t i s a j . ea s l aa i ng t d y u to ee th b p up. a3>1 . St ta h th Ri a Cl b /t -> i f po as ble se sl- ith o el ft, e pi hi g e dg i f h ee t ne , ak ng a f ll w- g ca cr at sr -e th h gh st o bi e l f ig t he uc o gy ca t-ll b a-pli d to ny ro / u>h 3>2. A j st o t t to L an h it< p -> u ll ee t a co le ly i f me nt t p d wn el w t y< s /> -- u l"> i l>* Bl L s t :a ov he allu fr dr fr i y ur t ce, p-a ce be en w d wl n yo f on t d T h l s w- p nh g up o T b l at lo soa l po ti d y g< r - li -li a S an : Go ig y de r h ta d dt ci ate af rm bl a l orm h ha dl th e d fr a gl sw n a>l i*> ads u t al n u sh ha s i eu r l , n a v e no d-n g o st ra gh . N fo re -r s. ho ha yo an nd s-ay w-t n ho soa le he y -t he o ca l u o te< >*i g o o er n -u c ld r i he ra d h-n s r hl ly er th nt ds ld a is w l el o ot p on al . l<> / p->n h > T sw ig a> s> un k lo s -u - e p le a n fr h n g. p/> u l>*> as s ng : Ta e f l c mp b g r A Lo a w n to hu de t r s so you n bu up o ax u spe l li<>**o-s n<*> F al l--ea en “l a-” fe l f th e a Y ar le - h c p si g yo ha to r re te c ab eed an a ax mo t he ef ve o f thec t impa t./ i> ul i*> - ** Fi h : his k i te g i ha- A - l , hi fn ab so e - sa i et yo r ha an sk h gh a ndf i v y ur l e sh n ar de r u sho d e r e al ed u h ro , it a s-g t on you r on fo ta, nc o fy ci - th te get Th f a t l sw in a t n l i l e clu s lo do t e w rka /l < -- < h > o on - tak st a -o-/ o t> r nin o he bo r r se , t re so l -y i a n - y t a --a u an f o o a >p< u “ l>*- t e i *w i d f o r i a “t r t g he d y.aY u v om v y ur eg h o ru d f o th s t to r l a o ct c Th e sw g ge o ky s he b dy ri a ti at k t ol t h gh the a t p ->**o S to t** y ng t ee ” r ho a th ub c e yo- an s e oo m a t he t a d o v f e sh o gh. T u e bo ota on o ke pco nrl./ s l >> g h -h - ke** yi ng o s op f t t l ihyo d n rm . is n i t- nf t s s T th lub c oa gd s ig ca te e h igh ru ta ur tu a d ak af ull l rse e.< i> >o h h gCh a i o ur m - ra ic . nn u hahe sh r wr n , ad ‘tsw ng uto- yu sh s nt e g s n. y ur r y h s t . A te dsh a c*- ro * s ot a << ul> < >-- Th re a s a o l r t l b as t p ro a n el nt lo j c basd n he su ti oj t rea ti n to t Ba dj s u up g le h nd is o g i ma ve rol o y b ld gh i n a nd - c es an - r c y g < s -- < a e s ri g th te el as d h s ak s p c c h v n l a sha f thea t hia n re ed na < href="p: /- . a - .c > - /t e b n >C de A a>- b y ur no rt e-yo e cng t pa ro h in o en ne t o cl ar ee yo - g ns at, r at ca d e np ta d e to hape t nd c c on o a- ev k ap a r c yi eu o n ah a i ll - ze ds g h eb s- an e ki g h es rk u so ou ans an f- en e a p<>< / -- thought log ends here.>